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Wine fortified and infused with botanicals–
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" – rye whiskey plus absinthe( >100 proof, rinse container with ) ( 1/6 curled orange peel ) CE SUN overall sommelier: : from the south of france, whereĬhampagne was first developed prior to the fifth century CE due to expertise with baking_bread.TIMESTAMP 202110031940 PT CE 27520–
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" EDUARDO " – beer( Hefeweizen as german wheat beer ) + sweet&sour mix( lemon, lime, simple syrup ) Melting ? mid_layer_2: :beer with beer density ? bottom_layer_3: :juice, lite- color ? CE SAT at an instantaneous t: :top_layer_1: :water from ice " JIM " " topped with "ginger beer⟶as⟶ginger soda cycle repeating " JEREMY " – rye whiskey, peychaud's bitters - PEYCHAUD'S bitters + ANGOSTURA bitters Both spoke of seizing opportunities in their late-evening banter, but - seeing as both are in their twenties and their physical primes - this show felt like a “carpe diem” in dance." ? " – peach schnapps, citrus vodka, sour pucker, sprite There was plenty of audience participation over the course of the evening, and it proved impressively unpredictable, especially when Derek swirled about the stage with a woman in a wheelchair to Wilson Pickett’s “Mustang Sally.” It underlined the idea that this is a populist pair out to encourage dance for everyone. But the second half, brief though it was, had a sharper focus in its retro evocations of the swing and early rock ‘n’ roll eras, the troupe jitterbugging through Royal Crown Revue’s “Hey Pachuco” and the Hough siblings reviving the joyous “Great Balls of Fire” dance that first put them on the map as a duo on “Dancing with the Stars.” The singing by both Hough siblings and the dancing of their troupe were strong on A Great Big World’s “Say Something,” and Julianne proved a quite capable belter on ballads like Grace Potter’s “Stars” and her own “What You Waiting For?” But varying the tempos would have made for a more satisfying show.Īt times, the dances borrowed a little too heavily from the low-rent repertoire of sleazy strip clubs, with poles, chairs and laps coming into use for the women, shirtless Chippendale-esque bumping and grinding for the men. And the first half was ballad-heavy, at one point delivering five in a row. There was something of a pacing problem, in that the show’s first half was 75 minutes long, the second half only 30 (with a fair amount of talking taking up that half-hour). Each of the 28 dance pieces presented over the course of two hours (yes, this was a briskly paced show) had something to recommend it, from breathtakingly swift spins to hyperactive hips on Latin dance numbers to clever design ideas like a car made of dancers (with conga drums for wheels) and one interesting set of costumes after another. In fact, it almost grew a little too relentless, but that was more a flaw in programming than performance. It proved a very entertaining evening, one that revved up the almost-capacity crowd to rock show levels by sending one wave of adrenaline after another surging at the crowd. The Utah-born, London-raised brother-sister act have joined with their choreographer colleagues from “So You Think You Can Dance,” Napoleon and Tabitha D’umo, to create two hours of high-energy, intricately executed combinations of funk, jazz, tap, urban and country-flavored dance, with some good old-fashioned swing and tango tossed into the mix. It’s called “Move Live,” and it’s been touring the country this spring and summer. So why not take all that talent and give it its own evening-length showcase?
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Between them, they’ve won seven season championships on the TV show “Dancing with the Stars” and have secured multiple Emmy nominations for their choreography (and one win for him). But the discipline in which the two made their names, separately and together, is ballroom dance. Yes, they did some singing, especially Julianne, who’s had some country hits. That’s pretty close to what the sibling dance duo of Julianne and Derek Hough brought to Minneapolis’ Northrop Auditorium on Wednesday night. Review: So you think they can dance? Hough siblings strut their energetic stuff at Northrop – Twin CitiesĬonsidering that so many major pop music tours have become more about the spectacle than the soundtrack, why not just dispense with performing music and make the show all about the dancing?